A routine inquiry that I thought was going to lead to a routine find.

Contrary to that (and to my pleasant surprise), this reference question led to a fun discovery and insight into a local artist and educator.

For now, I can only provide a little preview (see images below). More on M. E. Webster will be revealed in the June 13 blog post.

Until then, bide your time by trying to identify all the characters illustrated on the back cover of Epopeya and pondering the question, “How did Ms. Webster come to acquire such a rare item?”

Epopeya: El imperio Maya, volume 11, number 129, published in Mexico, 1969. According to worldcat.org this comic book issue can only be found in two other libraries in the U.S.

Inside front cover of Epopeya.

Back cover of Epopeya. How many of these comic book and cartoon characters can you name?

Part of the Diamonds in the Rough Series: Archives Ready and Set

In continuation of the “Diamonds in the Rough,“Archives Ready and Set” will highlight the online finding aids and catalog records of the archive collections processed with a grant from the NHPRC. This award made it possible for the Libraries and Archives of the Autry to process over 2,000 linear feet of archival material from 2010 to 2012. Thanks to the NHPRC, Project Archivist Holly Larson, and the rest of the NHPRC Project Team, these collection “gems,” once in the rough, are now “polished” and set to be discovered.

Manuscript number: MS.725

Scope and contents:
The journal is a hand-written account by Myer J. Newmark, “Incidents of a Voyage from New York to San Francisco around Cape Horn in the good ship Carrington , F.B. French Commander. Commenced Dec 15, 1852. Ended April 20th 1853.”

Tanner, H.S. Map of California, New Mexico, Texas and C., 1849.
Includes land and water routes from New York to San Francisco.
Donated by Richard S. Kahlenberg
Autry National Center; 99.65.1

A note by Maurice H. Newmark, a relative of Myer’s, was written on the inside front cover of the journal noting that Myer was about twelve years old when “he came around the Horn and wrote this diary.” The original journal pages have been pasted onto linen and tipped into a leather-bound volume. The linen is pasted over written pages.

Biographical note

Myer Joseph Newmark, 1838-1911, was the cousin of Harris Newmark, author of Sixty Years in Southern California. Born in New York in 1838 to Joseph and Rosa (Levy) Newmark, Myer was the second of six children. His father, an observant Jew, came from a long line of rabbis in Poland and Germany. Myer was educated in New York and England, where he lived with his maternal grandparents, attending grammar school and later New York’s Columbia College for a short time. He celebrated his bar mitzvah a year before making the voyage to California. In California, Myer Newmark lived in both San Francisco and Los Angeles. In 1859 he became a practicing lawyer in Los Angeles at the age of twenty-one, returning in 1863 to San Francisco, where he entered a law partnership with Henry J. Labatt and Robert T. Payne. Moving back to Los Angeles in 1871, he went into business with Harris Newmark. In June of 1874, Myer Newmark married Sophie Cahen, a recent French emigrant. Together they had three children. Newmark died in 1911 in San Francisco.

 Extent:0.25 Linear feet (1 bound volume)

Names:

Newmark, Maurice Harris, 1859-1929

 Subjects:

Cape Horn (Chile)

Diaries

Jews — California

Manuscripts

Ocean travel

Voyages to the Pacific Coast

Related Autry National Center Collections:

Newmark Family Papers, 1837-2006, Braun Research Library Collection, Autry National Center, Los Angeles; MS.227.

Catalog record

Finding aid

After David Dortort’s novels Burial of the Fruit and The Post of Honor were published, film studios came knocking and purchased the rights to his work. Around this time, Dortort headed out to Hollywood to work as a screenwriter. Newspaper clippings attached him to several different projects in development, including one titled Portrait of an American Communist. A September 17, 1948, clipping from Our Times noted that “author John McPartland will adapt it with one David Dortort. Could be a pseudonym? Never heard of him…” Little did the journalist know, but in about ten years’ time Dortort would create Bonanza, one of the landmark television series of the twentieth century.

These clippings about screenwriting projects that didn’t make it to film are part of a scrapbook on Dortort’s early work. The scrapbook also includes press coverage of The Lusty Men, a rodeo melodrama that did get produced. Take a look:

On the 25^th Anniversary Timeline

1995: The Autry Research Center is open!

Opening of the Research Center, May 1995. From left: Joanne Hale, Founding CEO and Director, Autry National Center; Gene Autry; and Kevin Mulroy, Director, Research Center. Photograph ©Silvia Mautner. Autry National Center Institutional Archive; Autry Institute, Research Center Opening, Box 1, May 1995.

PRESERVATION AND ACCESS!

Gene Autry participated in many grand openings during his long public career, but given his great interest in preserving the history of the American West, one of his proudest moments may have been cutting the ribbon to the Research Center in May 1995. The ceremony marked our public opening and invited the research community to explore both library and museum resources.

Research Center brochure, 1995. Cover image: Noco-Shimatt-Tash-Tanaki (Grizzly Bear), Seminole chief. (Cover photograph by Susan Einstein. Detail of an engraving in William H. Emory, Report on the United States and Mexican Boundary Survey, 1857. Fred Rosenstock Collection of Western Americana, Autry Library, Autry National Center; 90.253.32) Autry National Center; Institutional Archive, Autry Institute, Research Center Opening, Box 1, May 1995

PROMOTING COLLECTIONS THROUGH EXHIBITIONS!

To celebrate the opening of the Research Center, a 1,500-square-foot exhibition titled Imaging the West was installed. Artifacts were drawn from the research collections of the Autry Library and the Autry National Center.

Exhibition title panel, Imaging the West, Autry National Center, 1995. (Image: The Author Painting a Chief at the Base of the Rocky Mountains, reproduction of frontispiece from an engraving by the author in George Catlin, North American Indians, 1913)

The exhibition looked at the image-makers of the American West, and the many ways they manipulated and exploited the wealth of imagery that arose from the region.

Westward the Star of Empire Takes Its Way (Via the Atchison, Topeka and Santa Fe Railroad), circa 1900, lithograph, printed by Poole Bros., Chicago, Ill. Fred Rosenstock Collection of Western Americana, Autry Library, Autry National Center; 90.253.110. Imaging the West exhibition, “Promoters of Land and Industry”

The visitor, like the contemporary consumer, saw a wide variety of image-heavy items, including rare illustrated books, photographs, maps, and visual paper ephemera in popular media such as promotional, advertising, and tourist-related materials. The exhibition was organized by image-maker and included artists and explorers; map makers; fine art photographers; educators and philanthropists; product advertisers; musicians; producers of pulp fiction; autobiographers, folklorists, and fiction writers; and radio and television.

Charles F. Lummis, The Land of Poco Tiempo, 1925, Charles Scribner’s Sons, New York City. Fred Rosenstock Collection of Western Americana, Autry Library, Autry National Center; 90.253.235. Imaging the West exhibition, “Anthropologists and Travel Writers”

Advertising poster for Col. Tim McCoy’s Real Wild West and Rough Riders of the World, circa 1938, lithograph. Museum Purchase, Autry National Center; 95.52.1. Imaging the West exhibition, “Performers”

Photo of Ben Rudnick, Carrizo Plains, Nov. 12, 1977, gelatin silver print. Gift from the Reynolds Family. Autry National Center; 95.34.323. Imaging the West exhibition, “Documentary Photographers”

Jan Młodożeniec (Poland, 1929–2000), Jesień Cheyennów, lithograph, 1970, advertising poster for the American film Cheyenne Autumn, 1964. Autry National Center; 95.52.1. Imaging the West exhibition, “Other Image Makers”

SUPPORTING RESEARCH!

An exciting weekend symposium, also called Imaging the West, brought current scholarship and new lines of inquiry to the audience as well as musical performances by Herb Jeffries, Buck Ramsey, the Cahilla Bird Singers, and Poetic Justice with Joy Harjo.

Symposium brochure, 1995. (Cover image: Buck Jones and Silver broadcasting a live radio Western, publicity photograph [detail], circa 1935. Donated by Ms. Lisa Beery. Autry National Center; 95.54.22) Autry National Center; Institutional Archive, Autry Institute, Research Center Opening, Box 1, May 1995

Sir Richard Burton (England, 1821–1890), The Dead Sea, 1860, watercolor. Museum Purchase, Autry National Center; 93.182.1.19. Imaging the West exhibition, “Artists and Explorers”

Brochure cover, One of America’s Finest: Vallejo Guest Ranch With Polo, 1950s. Autry National Center; 95.32.1. Imaging the West exhibition, “Promoters of Tourism”

Advertising poster for the film The Quick and the Dead, 1995, lithograph. Museum Purchase, Autry National Center; 95.46.6. Imaging the West exhibition, “Motion Pictures”

]]> http://libraries.theautry.org/2013/04/29/on-the-25th-anniversary-timeline-1995-the-autry-research-center-is-open-3/feed/ 0 autry25_EMAIL_WEB (2) marvarf autry25_EMAIL_WEB (2) Opening of the Research Center, May 1995. From left: Joanne Hale, Founding CEO and Director, Autry National Center; Gene Autry; and Kevin Mulroy, Director, Research Center. Photograph ©Silvia Mautner. Autry National Center Institutional Archive; Autry Institute, Research Center Opening, Box 1, May 1995. Research Center brochure, 1995. Cover image: Noco-Shimatt-Tash-Tanaki (Grizzly Bear), Seminole chief. (Cover photograph by Susan Einstein. Detail of an engraving in William H. Emory, Report on the United States and Mexican Boundary Survey, 1857. Fred Rosenstock Collection of Western Americana, Autry Library, Autry National Center; 90.253.32) Autry National Center; Institutional Archive, Autry Institute, Research Center Opening, Box 1, May 1995 Exhibition title panel, Imaging the West, Autry National Center, 1995. (Image: The Author Painting a Chief at the Base of the Rocky Mountains, reproduction of frontispiece from an engraving by the author in George Catlin, North American Indians, 1913) Westward the Star of Empire Takes Its Way (Via the Atchison, Topeka and Santa Fe Railroad), circa 1900, lithograph, printed by Poole Bros., Chicago, Ill. Fred Rosenstock Collection of Western Americana, Autry Library, Autry National Center; 90.253.110. Imaging the West exhibition, “Promoters of Land and Industry” Charles F. Lummis, The Land of Poco Tiempo, 1925, Charles Scribner's Sons, New York City. Fred Rosenstock Collection of Western Americana, Autry Library, Autry National Center; 90.253.235. Imaging the West exhibition, “Anthropologists and Travel Writers” Advertising poster for Col. Tim McCoy’s Real Wild West and Rough Riders of the World, circa 1938, lithograph. Museum Purchase, Autry National Center; 95.52.1. Imaging the West exhibition, “Performers” Photo of Ben Rudnick, Carrizo Plains, Nov. 12, 1977, gelatin silver print. Gift from the Reynolds Family. Autry National Center; 95.34.323. Imaging the West exhibition, “Documentary Photographers” Jan Młodożeniec (Poland, 1929–2000), Jesień Cheyennów, lithograph, 1970, advertising poster for the American film Cheyenne Autumn, 1964. Autry National Center; 95.52.1. Imaging the West exhibition, “Other Image Makers” sympbrochure 1995 Sir Richard Burton (England, 1821–1890), The Dead Sea, 1860, watercolor. Museum Purchase, Autry National Center; 93.182.1.19. Imaging the West exhibition, “Artists and Explorers” Brochure cover, One of America’s Finest: Vallejo Guest Ranch With Polo, 1950s. Autry National Center; 95.32.1. Imaging the West exhibition, “Promoters of Tourism” Advertising poster for The Quick and the Dead, 1995, lithograph. Museum Purchase, Autry National Center; 95.46.6. Imaging the West exhibition, “Motion Pictures” http://libraries.theautry.org/2013/04/19/l-a-heritage-day-2013/ http://libraries.theautry.org/2013/04/19/l-a-heritage-day-2013/#comments Fri, 19 Apr 2013 19:38:42 +0000 lposas http://libraries.theautry.org/?p=5689 Read more]]> Intern Hailey Jures is the inaugural year intern for the Occidental College and Autry Archives Inside Out Internship for 2012–2013. Below, she describes the activities she designed for L.A. Heritage Day 2013.

Over 2,500 people attended the sixth annual L.A. Heritage Day last Sunday, April 14, at the Pico House. Historical societies, heritage groups, and museums created exhibits about their organization’s contributions to L.A. history. As part of our exhibit, the Libraries and Archives of the Autry National Center organized two activities that highlighted available material at the Autry and engaged people with El Pueblo’s history.

The first activity involved Charles Lummis, the founder of the Southwest Museum. He kept a guest log, or house book, signed by visitors to his home. Of the thousands of signatures in this log, many signatures remain illegible to library staff. I chose three different signatures from the illegible signature list and we encouraged people to interpret them. We received a variety of translations. For  the first, S.W. Folsom, S.W. Fabian, S.W. Faboni, Sam Falsam, Sur Fabian; for the second, Alex Snowman, Alex Sherman, Alfred Snowan, Sler Snoman, Alex Shanow; and for the third, Marvin Marshall, Miriam Munchap, Marvin Newhall, Maria M. W., Marvin Menshalf, Miriam Marshall, Mimmi Muzhall. Take a look at the signatures below and respond with your guesses in the comment section!

Unknown signature, 11-06-1921, Lummis Housebook Page 24, Braun Research Library Collection, Autry National Center; MSA 1.10.1.

Unknown signature, 04-21-1909, Lummis Housebook, page 99. Braun Research Library Collection, Autry National Center; MSA 1.10.1

Unknown signature, Lummis Housebook, page 21. Braun Research Library Collection, Autry National Center; MSA 1.10.1

Our second activity was a scavenger hunt around El Pueblo. I searched the digitized collections, available at TheAutry.org, and found six late-nineteenth and early twentieth century images of different locations in El Pueblo. The challenge was to find the location from the historical image and take a current photo. We also encouraged people to upload their photos to Twitter using #autryexplore. Although L.A. Heritage Day is over, you can still head over to El Pueblo and take on the scavenger hunt yourself. Don’t forget to upload the images to Twitter!

If you missed L.A. Heritage Day this year, be on the lookout for next year’s event. It’s a great way to learn about local organizations and find ways you can help preserve, or even make, L.A. history! To see pictures from this year, you can visit http://www.facebook.com/LAHeritage. To get more information about L.A. Heritage Day and/or the L.A. Heritage Alliance, visit their blog at http://laheritage.blogspot.com/.

 In continuation of the Diamonds in the Rough blog series, “Archives Ready and Set” will highlight the online finding aids and catalog records of the archive collections processed with a grant from the NHPRC. This award made it possible for the Libraries and Archives of the Autry to process over 2,000 linear feet of archival material from 2010 to 2012. Thanks to the NHPRC, Project Archivist Holly Larson, and the rest of the NHPRC Project Team, these collection “gems,” once in the rough, are now “polished” and set to be discovered.

Photograph of an Inuit family, 1920s. Braun Research Library Collection, Autry National Center; P.37144

Manuscript number: MS.212

Scope and contents:
This collection of papers includes the manuscript for a book titled The Changing Eskimo and research material relating to Inuit ethnology, archaeology, and anthropology from 1957 to 1962. Yatsushiro’s research materials included in this collection are from his work in Frobisher Bay from 1958 to 1959. Papers include field notes, field expenses, questionnaires, and transcripts of interviews. This collection also includes both business and personal correspondence, some of which includes correspondence to Yatsushiro’s wife, Lily, while she stayed with him in Frobisher Bay. Other papers in this collection include a bibliography on “Copper Eskimos,” notes on linguistics and orthography, government licenses, newsletters, newspaper clippings, examples of research proposals, and one of Yatsushiro’s students’ papers.

Although there is no evidence that The Changing Eskimo was published as a monograph, certain sections of the chapters were given as papers before some anthropological meetings.

Biographical note:

Toshio Yatsushiro was born on May 5, 1917, in the United States and raised by his Japanese-born parents in Hawaii. After finishing high school, he received a scholarship to the University of Redlands and began studying sociology in 1939. When World War II began during his senior year of college, Yatsushiro and his family from the Boyle Heights neighborhood of Los Angeles were all sent to the Colorado River War Relocation Authority camp, also known as Poston, in Arizona. Located on the Colorado River Indian Reservation, Poston was operated by the Office of Indian Affairs (OIA), now the Bureau of Indian Affairs, until 1943.

While Yatsushiro was teaching at McGill University in Montreal, Quebec, the Canadian government commissioned him to do field studies on the Inuit Eskimo residents of Frobisher Bay, now known as Iqaluit, in the Northwest Territory of Nunavut to see how they were dealing with Canadian settlements between 1958 and 1959. Yatsushiro attended an international conference in 1959 and presented a preliminary report on his findings, which was critical of the government’s handling of the Inuit people of Baffin Island. The Canadian government terminated the contract, and Yatsushiro’s manuscript was never published.

Extent: 2.0 Linear feet(3 boxes)

Names and subjects:
Arctic peoples
Changing Eskimo
Copper Inuit
Frobisher Bay (Nunavut : Bay)
Inuit — Ethnology
Inuit — Social life and customs
Inuit language — Orthography and spelling
Iqaluit (Nunavut)
Japanese Americans
Linguistics
Orthography and spelling

Materials:
Bibliography
Clippings
Correspondence
Field notes
Licenses
Newsletters
Questionnaires
Transcripts

Catalog record | Finding aid

Pelican 3 and 4 (diptych), undated, Florida. Theo Westenberger Archives, Autry National Center; MSA.25.57.2A

Most importantly, the Autry National Center accepted responsibility for the legacy of the photographer as an artist. Whenever the work is reproduced, we are responsible for ensuring the work accurately represents the aesthetic and artistic intention of the artist. And unless an archivist has worked closely with a photographer, dancer, or musician prior to their passing, it is left to the archivist to analyze, reconstruct, and re-create the work that most closely represents their aesthetic. The director of the Center for Creative Photography advises all photographers to print a master set of their most important or cherished images so that future generations of viewers and archivists know exactly how the work should be seen. For example, Theo preferred some of her images printed with this irregular border, which gives the print an old fashioned, “low-tech” feel:

Flamingo Group, undated. Theo Westenberger Archives, Autry National Center; MSA.25.53.2A

We faced this problem recently. In order to showcase Theo Westenberger’s work, we digitized some of her images. But exactly what was going to be digitized? Theo considered a negative was only halfway to the finished image. Her images were printed by very skilled professional printers, and she kept many permutations of every print. In the archives we found examples of each image in multiple formats:

1. Black-and-white negative
2. Contact sheet
3. 11×14 black-and-white or toned print in a presentation portfolio for commercial work
4. Signed or captioned print
5. Multiple other black-and-white or toned prints in various sizes (11×14, 8×10, and 5×7 prints)
6. 35mm transparency, copied from a print
7. 6x6mm transparency, copied from a print
8. 8×10 transparency, copied from a print and mounted for presentation
9. 8 MB digital file on a hard drive, scanned at low resolution
10. 50 MB digital file on CD, prepared in 1997

The challenge was to find the finished work that satisfied Theo and use that as the source material for the digital file. After locating and assembling the many generations of an image, Amy Scott, the Autry’s Marilyn B. and Calvin B. Gross Curator of Visual Arts, and I compared the prints. We balanced factual and contextual information with an awareness of Theo’s aesthetic choices. The final decision on what material to scan was made by Hugh Milstein at Digital Fusion. When Hugh analyzed the prints, he told us which chemical or mineral baths (sometimes more than one) were used to tone the print. Often Hugh felt the subtleties of the tones were impossible to reproduce in Photoshop, so we scanned the print and not the black-and-white negative.

Camel and Birds, undated. Theo Westenberger Archives, Autry National Center; MSA.25.51.2A

Other times, Hugh felt the black-and-white negative would give us more detail and more subtlety than a print. We were very happy with the results. These and 46 additional images are now available to be purchased as prints on art.com.

.

.

.

.

.

.

.

White Horse, Black Nose, undated. Theo Westenberger Archives, Autry National Center; MSA.25.47.2

Although David Dortort’s most well-known film and television work featured Western settings, he spent his earliest years growing up in New York City. His youth in New York provided the setting for two novels he wrote before moving to Hollywood to write film scripts in the 1950s.

His first novel, Burial of the Fruit, was published in 1947. It followed the story of young Honey Halpern in the poverty-stricken neighborhood of Brownsville, Brooklyn. An advertisement for the book in the Brooklyn Eagle newspaper described Halpern as someone who “could have been a genius. Instead, he was a brutal killer, living only for action, sensation, lust.” Several reviews compared the storyline of Burial of the Fruit to the real-life story of Murder Inc., an organized crime group based in New York City that was broken up by the law in the early 1940s.

His second published novel, The Post of Honor, hit bookstands in 1949. An ad described The Post of Honor as “the dramatic story of one man who finds his belief in a way of life challenged by shattering reality.” Max Gerard, a young “idealist, poet, [and] fighter” joins the Communist party “in days when radicals were pure idealists and social dissenters.”

Press clippings of reviews and advertisements promoting the two novels are part of the David Dortort Archives. Take a look at what book reviewers and ads had to say about Dortort’s debut novel and second book in the late 1940s:

Under a law restricting Chinese immigration and prohibiting immigrants from China from becoming naturalized U.S. citizens, Wong Kim Ark, born in San Francisco, California, to Chinese immigrant parents, had been denied reentry into the U.S. after a trip abroad. Wong challenged the government’s refusal to recognize his citizenship, and the Supreme Court decided in his favor, holding that the citizenship language in the 14th Amendment encompassed essentially everyone born in the U.S.—even the U.S.-born children of foreigners.

Along with many other immigrants, Chinese Americans and Chinese immigrants have contributed to the cultural history of the U.S. West. Their rich and complicated history is highlighted throughout the Autry collections.

Cover of Old Chinatown: A Book in Pictures, 1913 ,by Will Irwin and Arnold Genthe. Published by Mitchell Kennerley. Autry National Center; 91.51.1

Photograph from Old Chinatown: A Book in Pictures. Autry National Center; 91.51.1

Wells Fargo & Co. Directory of Chinese Business Houses, 1882. Published by Britton & Rey. Printed in Chinese and English. Autry National Center; 91.128.1

Cyanotype photograph of a Chinatown alley in San Francisco, late 19th or early 20th century, by Charles Lummis. Braun Research Library Collection, Autry National Center; P.13851

In continuation of the “Diamonds in the Rough” blog series, “Archives Ready and Set” will highlight the online finding aids and catalog records of the archive collections processed with a grant from the NHPRC. This award made it possible for the Libraries and Archives of the Autry to process over 2,000 linear feet of archival material from 2010 to 2012. Thanks to the NHPRC, Project Archivist Holly Larson, and the rest of the NHPRC Project Team, these collection “gems,” once in the rough, are now “polished” and set to be discovered.

Portrait of Frances Densmore, 1949. Braun Research Library Collection, Autry National Center; P.36459

Manuscript number: MS.557

Scope and contents:
This collection consists of materials dating from 1899 to 1961, the bulk of which was created from 1907 to 1957. Included are lectures and writings by Densmore on Native American music; melodic analysis of 75 Cheyenne and Arapaho songs; correspondence with Frederick Webb Hodge; letters to Densmore; published articles by Densmore in newspapers and journals; and writings about Densmore’s work, life, and health. The collection also includes an original drawing by Eagle Shield that was included in Densmore’s Teton Sioux Music publication.

Biographical note:

Frances Densmore was an American ethnographer and ethnomusicologist. Born in 1867 in Red Wing, Minnesota, Densmore became interested in Native American music after reading about the ethnomusicology of the Omaha tribe. She began her work in Minnesota by studying and recording the music of the Dakota and Ojibwe tribes. She also traveled across North America where she met with the Chippewa, Mandan, Hidatsa, Sioux, northern Pawnee of Oklahoma, Papago of Arizona, Indians of Washington state and British Columbia, Winnebago and Menominee of Wisconsin, Pueblo Indians of the Southwest, and the Tule Indians of Panama. Densmore conducted fieldwork using a box camera and a cylinder phonograph, and wrote more than 20 books and 100 articles. She also made more than 2,000 wax cylinder recordings of Native music, including recordings for the Smithsonian Institution’s Bureau of American Ethnology (BAE) in 1907. Densmore frequently published articles in the journals American Anthropologist and the Southwest Museum’s  Masterkey publication. She is especially noted for her recordings of Native American music and documenting Native cultures at a time when white settlers were moving into the tribes’ lands and encouraging them to adopt Western customs. Densmore died on June 5, 1957, at the age of 90.

Extent: 0.75 Linear feet (2 boxes)

Names:
Bunche, Ralph J. (Ralph Johnson), 1904–1971
Densmore, Frances, 1867–1957
Hewett, Edgar L. (Edgar Lee), 1865–1946
Hodge, Frederick Webb, 1864–1956
James, George Wharton, 1858–1923
Mead, Margaret, 1901–1978
Roosevelt, Eleanor, 1884–1962

Materials:
Clippings
Correspondence
Manuscripts

Catalog record | Finding aid